Wednesday, December 30, 2009
Tuesday, December 22, 2009
Something Coming to Meet You
Alan Kaufman:
Things Carl Little Crow and I Did
Together To Stay Sober In San Francisco,
Eclectica Aug/Sep 1998
Something Coming to Meet You,
Eclectica Sep/Oct 1999
Things Carl Little Crow and I Did
Together To Stay Sober In San Francisco,
Eclectica Aug/Sep 1998
Something Coming to Meet You,
Eclectica Sep/Oct 1999
Monday, December 21, 2009
Sunday, December 20, 2009
Straight Jacket Elegy
Alan Kaufman:
New Poetry,
Inteviewed by CK Tower,
Riding the Meridian
Relationshit,
Eclectica June/July 1998
New Poetry,
Inteviewed by CK Tower,
Riding the Meridian
Relationshit,
Eclectica June/July 1998
Saturday, December 19, 2009
Friday, December 18, 2009
Jack Spicer on Mars
Jack Spicer on Mars,
about The Collected Poetry of
Jack Spicer, Wesleyan 2008
by Jared White, Open Letters
Jack Spicer:
"Imagine Lucifer...", Poetry
about The Collected Poetry of
Jack Spicer, Wesleyan 2008
by Jared White, Open Letters
Jack Spicer:
"Imagine Lucifer...", Poetry
Thursday, December 17, 2009
Alan Ross Poems
Reports from the past, by DJ Taylor, The Guardian
About Alan Ross Poems, selected and introduced
by David Hughes, Harvill
About Alan Ross Poems, selected and introduced
by David Hughes, Harvill
Wednesday, December 16, 2009
Tuesday, December 15, 2009
Monday, December 14, 2009
Sunday, December 13, 2009
Saturday, December 12, 2009
Friday, December 11, 2009
Thursday, December 10, 2009
Wednesday, December 09, 2009
The Sesquipedalist
The Sesquipedalist - on the Sociology of the architectural
Profession and the Meditation of its Products
Profession and the Meditation of its Products
Tuesday, December 08, 2009
Poetry Publishing
Amy De'Ath:
Poetry Publishing
As It Stands: Innovation, the Post-Avant,
and Current Publishing Practices
Amy De'Ath/Blog
Poetry Publishing
As It Stands: Innovation, the Post-Avant,
and Current Publishing Practices
Amy De'Ath/Blog
Monday, December 07, 2009
Sunday, December 06, 2009
Saturday, December 05, 2009
Marfa, Donald Judd
The Chinati Foundation/Donald Judd
Marfa Voices: Remembering Donald Judd, PRX
Journey into space, Nicholas Serota, The Guardian
Marfa Voices: Remembering Donald Judd, PRX
Journey into space, Nicholas Serota, The Guardian
Friday, December 04, 2009
Wednesday, December 02, 2009
Tuesday, December 01, 2009
Sunday, November 29, 2009
Saturday, November 28, 2009
Nothing in that Drawer
The Other Room (James Davies & Tom Jenks)
Interviews Ron Padgett, The Other Room
Interviews Ron Padgett, The Other Room
Friday, November 27, 2009
Thursday, November 26, 2009
Wednesday, November 25, 2009
Tuesday, November 24, 2009
Monday, November 23, 2009
Sunday, November 22, 2009
Saturday, November 21, 2009
ST. LOUIS - LAST STOP OF THE ROCKPILE
ST. LOUIS—LAST STOP OF THE ROCKPILE ON THE ROAD TOUR
2 EVENTS!!
ST. LOUIS ROCKPILE Performance
November 24th 7:30-11pm
Regional Arts Commission Performance Space
6128 Delmar Blvd.
St. Louis, MO 63112-1204
(314) 863-5811
http://www.art-stl.com/
Admission: free
David Meltzer, Michael Rothenberg, Terri Carrion and The Bob Malone Band w/ Bob Malone (piano),Marc Singer (drums), Christa Hillhouse (bass) and special guest Dave Black (guitar), Very special guest readers and performers include Shirley LeFlore, Michael Castro, K. Curtis Lyle and David Jackson (assorted percussion and electronics), Alexander Balogh, Howard Schwartz, Philip Gounis and Sean Arnold
UNTAMED INK PUBLICATION CELEBRATION: "UNDER AND ABOVE GROUND"
Monday, November 23rd 6pm
Untamed Ink, Under and Above Ground:
A Publication Celebration hosted by David Meltzer, Michael Rothenberg and Terri Carrion
Lindenwood University, LCIE auditorium.
Admission: free
ROCKPILE is sponsored by The Committee on Poetry and funded by Creative Work Fund, a program of the Walter and Elise Haas Fund, supported by grants from The James Irvine Foundation and The William and Flora Hewlett Foundation.
2 EVENTS!!
ST. LOUIS ROCKPILE Performance
November 24th 7:30-11pm
Regional Arts Commission Performance Space
6128 Delmar Blvd.
St. Louis, MO 63112-1204
(314) 863-5811
http://www.art-stl.com/
Admission: free
David Meltzer, Michael Rothenberg, Terri Carrion and The Bob Malone Band w/ Bob Malone (piano),Marc Singer (drums), Christa Hillhouse (bass) and special guest Dave Black (guitar), Very special guest readers and performers include Shirley LeFlore, Michael Castro, K. Curtis Lyle and David Jackson (assorted percussion and electronics), Alexander Balogh, Howard Schwartz, Philip Gounis and Sean Arnold
UNTAMED INK PUBLICATION CELEBRATION: "UNDER AND ABOVE GROUND"
Monday, November 23rd 6pm
Untamed Ink, Under and Above Ground:
A Publication Celebration hosted by David Meltzer, Michael Rothenberg and Terri Carrion
Lindenwood University, LCIE auditorium.
Admission: free
ROCKPILE is sponsored by The Committee on Poetry and funded by Creative Work Fund, a program of the Walter and Elise Haas Fund, supported by grants from The James Irvine Foundation and The William and Flora Hewlett Foundation.
Friday, November 20, 2009
Billie Holiday Me And The Blues
A.D. Winans:
Billie Holiday Me And The Blues, erbacce-press
Billie Holiday Me And The Blues reviewed
by Terry Reis Kennedy, kagablog
An Interview with A.D. Winans by
Terry Reis Kennedy, kagablog
Selected Poetry, laurahird.com
Billie Holiday Me And The Blues, erbacce-press
Billie Holiday Me And The Blues reviewed
by Terry Reis Kennedy, kagablog
An Interview with A.D. Winans by
Terry Reis Kennedy, kagablog
Selected Poetry, laurahird.com
Thursday, November 19, 2009
Tuesday, November 17, 2009
Sunday, November 15, 2009
Saturday, November 14, 2009
Next Stop Chicago - Two Big Rockpile Events!
NEXT STOP CHICAGO--TWO BIG ROCKPILE EVENTS!!
ROCKPILE Symposium--Music and Poetry: The Art of Poetry Collaboration.
Tuesday, November 17th 5pm to 8pm
Columbia College Chicago,
Ferguson Hall
600 South Michigan Avenue
Chicago, IL 60605
+1 312-663-1600
About: Since Kenneth Rexroth and Langston Hughes first collaborated with jazz musicians (but then Jelly Roll Morton claimed to have collaborated with authors, as well) poetry and music have enjoyed a special relationship. The subject ranges far and wide: Brecht's Threepenny Opera, Allen Ginsberg's manic rock combos, modern hip-hop, the singer-songwriter tradition of troubadors such as Bob Dylan and Lou Reed--the relationship between music, specifically jazz, and poetry has been percolating for generations. Sit in with these artists as they discuss this tempestuous relationship in a rapid-fire panel discussion about poetry and music.
Panelists include: David Meltzer, Michael Rothenberg, Art Lange, Dan McNaughton, Tony Trigillio, Ed Roberson, Dan Godston, Larry Sawyer, Francesco Levato, Terri Carrion, Bob Malone, and others.
THEULTIMATE CHICAGO ROCKPILE Performance at The Hideout
Thursday, November 19, 8pm- 12pm
The Hideout
1354 W Wabansia
Chicago, Il 60622
773.227.4433
http://www.hideoutchicago.com/
ADMISSION: 10 dollars at the door
(all shows 21 & over unless stated otherwise
advance tickets online or by phone at 866.468.3401)
Poetry & Jazz Festival with ROCKPILE: David Meltzer, Michael Rothenberg and Terri Carrion perform with The Spider Trio and The Bob Malone Band and special guests Art Lange, Ed Roberson, Francesco Levato, Larry Sawyer, Dan Godston Band with Renee Baker, Satya Gummuluri, Dan Godston and Jimmy Bennington
ROCKPILE Symposium--Music and Poetry: The Art of Poetry Collaboration.
Tuesday, November 17th 5pm to 8pm
Columbia College Chicago,
Ferguson Hall
600 South Michigan Avenue
Chicago, IL 60605
+1 312-663-1600
About: Since Kenneth Rexroth and Langston Hughes first collaborated with jazz musicians (but then Jelly Roll Morton claimed to have collaborated with authors, as well) poetry and music have enjoyed a special relationship. The subject ranges far and wide: Brecht's Threepenny Opera, Allen Ginsberg's manic rock combos, modern hip-hop, the singer-songwriter tradition of troubadors such as Bob Dylan and Lou Reed--the relationship between music, specifically jazz, and poetry has been percolating for generations. Sit in with these artists as they discuss this tempestuous relationship in a rapid-fire panel discussion about poetry and music.
Panelists include: David Meltzer, Michael Rothenberg, Art Lange, Dan McNaughton, Tony Trigillio, Ed Roberson, Dan Godston, Larry Sawyer, Francesco Levato, Terri Carrion, Bob Malone, and others.
THEULTIMATE CHICAGO ROCKPILE Performance at The Hideout
Thursday, November 19, 8pm- 12pm
The Hideout
1354 W Wabansia
Chicago, Il 60622
773.227.4433
http://www.hideoutchicago.com/
ADMISSION: 10 dollars at the door
(all shows 21 & over unless stated otherwise
advance tickets online or by phone at 866.468.3401)
Poetry & Jazz Festival with ROCKPILE: David Meltzer, Michael Rothenberg and Terri Carrion perform with The Spider Trio and The Bob Malone Band and special guests Art Lange, Ed Roberson, Francesco Levato, Larry Sawyer, Dan Godston Band with Renee Baker, Satya Gummuluri, Dan Godston and Jimmy Bennington
Friday, November 13, 2009
Thursday, November 12, 2009
IN THE AFTERNOON BABYLON
Grzegorz Wróblewski:
A Rarity, Cervena Barva Press
In The Afternoon Babylon, Exquisite Corpse
Paintings/Poems, Otoliths #15
Wednesday, November 11, 2009
THE ROCKPILE TOUR CONTINUES...
AFTER A MAGNIFICENT SHOW AT THE GERSHWIN HOTEL IN NYC
THE ROCKPILE TOUR CONTINUES UPSTATE. . .
ROCHESTER, NY
November 11th, 4-5:15 pm
David Meltzer and Michael Rothenberg
read with guest musicians Carl Atkins (saxophone) and Jay Jackson (drums)
Rochester Institute of Technology
College of Liberal Arts Faculty Lounge
Bldg. 6, Rm 1251
92 Lomb Memorial Dr
Rochester, NY
(585) 475-4922
ADMISSION: free
November 11th, 7pm
David Meltzer, Michael Rothenberg and Terri Carrion
Reading at: Writers and Books
740 University Ave
Rochester, NY
(585) 473-2590
ADMISSION: free
November 12th, 10:30 am
Rochester Institute of Technology lecture
Michael Rothenberg and Terri Carrion class on
“Editing The Literary Magazine”
Rochester Institute of Technology
92 Lomb Memorial Dr.
Rochester, NY
ADMISSION: free
BUFFALO, NY
November 12th, 7PM
David Meltzer, Michael Rothenberg and Terri Carrion reading
Just Buffalo @ WNYBAC
Western New York Book Arts Center
468 Washington St. @ Mohawk Place 2nd Floor
Buffalo, NY 14203
http://www.justbuffalo.org/
ADMISSION: free
THE ROCKPILE TOUR CONTINUES UPSTATE. . .
ROCHESTER, NY
November 11th, 4-5:15 pm
David Meltzer and Michael Rothenberg
read with guest musicians Carl Atkins (saxophone) and Jay Jackson (drums)
Rochester Institute of Technology
College of Liberal Arts Faculty Lounge
Bldg. 6, Rm 1251
92 Lomb Memorial Dr
Rochester, NY
(585) 475-4922
ADMISSION: free
November 11th, 7pm
David Meltzer, Michael Rothenberg and Terri Carrion
Reading at: Writers and Books
740 University Ave
Rochester, NY
(585) 473-2590
ADMISSION: free
November 12th, 10:30 am
Rochester Institute of Technology lecture
Michael Rothenberg and Terri Carrion class on
“Editing The Literary Magazine”
Rochester Institute of Technology
92 Lomb Memorial Dr.
Rochester, NY
ADMISSION: free
BUFFALO, NY
November 12th, 7PM
David Meltzer, Michael Rothenberg and Terri Carrion reading
Just Buffalo @ WNYBAC
Western New York Book Arts Center
468 Washington St. @ Mohawk Place 2nd Floor
Buffalo, NY 14203
http://www.justbuffalo.org/
ADMISSION: free
Tuesday, November 10, 2009
Sunday, November 08, 2009
STOP 5 ON THE ROCKPILE TOUR
NEW YORK CITY IS STOP 5 ON THE ROCKPILE TOUR
!!!!3 EVENTS!!!!
NYC ROCKPILE SHOW at The Gershwin Hotel
Monday, November 9th 8pm
The Gershwin Hotel
7 East 27th Street
New York, NY 10016
(212)545-8000
http://www.gershwinhotel.com/english/site1.html
Admission: $10 at the door
David Meltzer and Michael Rothenberg with Marty Ehrlich (multi-reed player), Lindsey Horner (bass), Bill Zavatsky (piano), Michael Stephans (drums)
** ** **
POETRY AND MUSIC AND THE TROUBADOUR TRADITION
Monday, November 9th, 12:30-2pm
Segal Theater
The Center for the Humanities
The Graduate Center, CUNY
365 Fifth Avenue, Room 5103
New York, NY 10016
212-817-2005
ADMISSION: free
ROCKPILE- Poetry and Music and The Troubadour Tradition
A Discussion with David Meltzer and Michael Rothenberg hosted by David Henderson and Ammiel Alcalay.
** ** ** **
ROCKPILE SYMPOSIUM ON ART AND ACTIVISM AT POETRY PROJECT
Saturday, November 7th 2-5pm
Poetry Project at St. Mark's Church
Parish Hall
131 E. 10th St.(& 2nd Ave.)
Manhattan, NY
ADMISSION: free
ROCKPILE Symposium: David Meltzer and Michael Rothenberg host a discussion on "Art and Activism, Poetry, Music and The Troubadour Tradition, Censorship and The Academy, Community and Collaboration: Open discussion with Ammiel Alcalay, Teresa Carrion, Jim Christy, Marty Ehrlich, Murat Nemat-Nejat, Wanda Phipps, Harris Schiff, Suzi Winson and Bill Zavatsky. We welcome audience participation. Moderator: Jim Feast. (Refreshments)
!!!!3 EVENTS!!!!
NYC ROCKPILE SHOW at The Gershwin Hotel
Monday, November 9th 8pm
The Gershwin Hotel
7 East 27th Street
New York, NY 10016
(212)545-8000
http://www.gershwinhotel.com/english/site1.html
Admission: $10 at the door
David Meltzer and Michael Rothenberg with Marty Ehrlich (multi-reed player), Lindsey Horner (bass), Bill Zavatsky (piano), Michael Stephans (drums)
** ** **
POETRY AND MUSIC AND THE TROUBADOUR TRADITION
Monday, November 9th, 12:30-2pm
Segal Theater
The Center for the Humanities
The Graduate Center, CUNY
365 Fifth Avenue, Room 5103
New York, NY 10016
212-817-2005
ADMISSION: free
ROCKPILE- Poetry and Music and The Troubadour Tradition
A Discussion with David Meltzer and Michael Rothenberg hosted by David Henderson and Ammiel Alcalay.
** ** ** **
ROCKPILE SYMPOSIUM ON ART AND ACTIVISM AT POETRY PROJECT
Saturday, November 7th 2-5pm
Poetry Project at St. Mark's Church
Parish Hall
131 E. 10th St.(& 2nd Ave.)
Manhattan, NY
ADMISSION: free
ROCKPILE Symposium: David Meltzer and Michael Rothenberg host a discussion on "Art and Activism, Poetry, Music and The Troubadour Tradition, Censorship and The Academy, Community and Collaboration: Open discussion with Ammiel Alcalay, Teresa Carrion, Jim Christy, Marty Ehrlich, Murat Nemat-Nejat, Wanda Phipps, Harris Schiff, Suzi Winson and Bill Zavatsky. We welcome audience participation. Moderator: Jim Feast. (Refreshments)
Saturday, November 07, 2009
Thursday, November 05, 2009
Monday, November 02, 2009
Sunday, November 01, 2009
Saturday, October 31, 2009
ROCKPILE COMES TO WASHINGTON
WASHINGTON, DC is the 4th Stop on the ROCKPILE TOUR. Come join us!
Wednesday, November 4 ROCKPILE PERFORMANCE
Host: Busboys and Poets: “Hump Day Groovez” w/ Burnett Thompson and The New Columbia Orchestra
Time: 9pm-11pm
2021 14 St. NW
Washington, DC 20009
202-387-9757
http://www.busboysandpoets.com/
admission—10 dollars at the door
Tuesday, November 3, noon-1:30 pm
Poets in the (Think) Tank: ROCKPILE Symposium Co-sponsored by Split This Rock www.SplitThisRock.org and the Institute for Policy Studies www.ips-dc.org
Brown bag lunch
The Institute for Policy Studies
1112 16th Street, NW, Suite 600Washington, DC
Farragut North or Farragut West Metro
For more info: info@splitthisrock.org, 202-787-5210
In anticipation of what is sure to be a music and poetry extravaganza at Busboys and Poets November 4, ROCKPILE artists David Meltzer and Michael Rothenberg host an open discussion on Art and Activism, Poetry, Music and The Troubadour Tradition, Censorship and The Academy, Community and Collaboration. Panel participants include David Meltzer, Michael Rothenberg, and Fred Joiner (bio below). Moderator: Sarah Browning
Sunday, November 1, "All About Rockpile" with David Meltzer and Michael Rothenberg and celebrated pianist and composer Burnett Thompson with members of The New Columbia Orchestra at The Writer's Center. Special celebration of guest readers include Terri Carrion, Carlo Parcelli, Beth Joselow, Rod Smith, Sarah Browning, Tom Mandel, Ruben Jackson, Ed Baker, Tala Rahmeh, and Brian Gilmore
Writer's Center
Time: 2pm – 5:00
www.writer.org
4508 Walsh Street
Bethesda, MD 20815
(301)654-8664
Admission free
(festivities continue at Gaffney’s after the reading!)
-------------------------------------------------------------------
A leading poet of the Beat Movement, David MELTZER was raised in Brooklyn during the War years; performed on radio & early TV on the Horn & Hardart Children's Hour. Was exiled to L.A. at 16 & at 17 enrolled in an ongoing academy w/ artists Wallace Berman, George Herms, Robert Alexander, Cameron; migrated to San Francisco in 1957 for higher education w/ peers & maestros like Jack Spicer, Robert Duncan, Joanne Kyger, Diane DiPrima, Michael McClure, Lew Welch, Philip Whalen, Jack Hirschman, and a cast of thousands all living extraordinary ordinary lives. Beat Thing [La Alameda Press, 2004] won the Josephine Miles PEN Award, 2005. Was editor and interviewer for San Francisco Beat: Talking With The Poets [City Lights, 2001]. With Steve Dickison, co-edits Shuffle Boil, a magazine devoted to music in all its appearances & disappearances. 2005 saw the publication of David's Copy: The Selected Poems of David Meltzer by Viking/Penguin, a collection spanning over forty years of work that paints a vivid portrait of Meltzer's life as a poet through poems taken from thirty of his previous books of poetry. With a versatile style and playful tone, Meltzer offers his unique vision of civilization with a range of juxtapositions from Jewish mysticism and everyday life to jazz and pop culture.
Michael ROTHENBERG is a poet, songwriter, and the editor of Big Bridge magazine online at www.bigbridge.org. His poetry books include Man/Woman, a collaboration with Joanne Kyger, The Paris Journals (Fish Drum Press), Monk Daddy (Blue Press), and Unhurried Vision (La Alameda/University of New Mexico Press). His poems have been published widely in small press publications including, 88: A Journal of Contemporary American Poetry, Berkeley Poetry Review, Exquisite Corpse, First Intensity, Fish Drum, Fulcrum, Golden Handcuffs Review, House Organ, Prague Literary Review, Tricycle, Van Gogh's Ear, Vanitas, Zyzzyva, JACK, milk, and Jacket. He is also author of the novel Punk Rockwell. Rothenberg's 2005 CD collaboration with singer Elya Finn, was praised by poet David Meltzer as "fabulous-all [the] songs sound like Weimar Lenya & postwar Nico, lushly affirmative at the same time being edged w/ cosmic weltschmertz. An immensely tasty production." He is also editor for the Penguin Poet series, which includes selected works of Philip Whalen, Joanne Kyger, David Meltzer, and Ed Dorn. He has recently completed the Collected Poems of Philip Whalen for Wesleyan University Press.
Burnett Thompson and The New Columbia Orchestra. Pianist and composer Burnett Thompson has lately been working with Chinese erhu soloist Ma Xiaohui, Shanghai-based jazz vocalist Coco Zhao, Flamenco guitarist Abraham Carmona, Argentinian bandoneonista Juan Pablo Jofre Romarion, and the New Columbia Jazz Orchestra.
His Silent Shakespeare and the Sonnets is an ongoing partnership with the Goethe Institute, the Shakespeare Theatre, the National Gallery of Art and the National Arts Club in New York.
Past associations have included a unique collaboration with Maestro Lorin Maazel on recording projects and an adventurous educational program.
Burnett maintained a “piano room” on Pennsylvania Avenue in Washington throughout the 80’s and 90’s, hosting guest artists Chris Vadala, Keter Betts, Drew Gress, Louis Belson, and countless others. He has appeared with numerous orchestras including the Washington Chamber Symphony and the Smithsonian Jazz Masterworks Orchestra.
Burnett Thompson was educated at the Hochschule fuer Musik in Vienna, Austria, and the New England Conservatory of Music.
Sarah Browning is co-director of Split This Rock Poetry Festival: Poems of Provocation & Witness and DC Poets Against the War. Author of Whiskey in the Garden of Eden (The Word Works, 2007) and co-editor of D.C. Poets Against the War: An Anthology (Argonne House Press, 2004), she has received fellowships and prizes from the DC Commission on the Arts & Humanities, the Creative Communities Initiative, and the People Before Profits Poetry Prize. She co-hosts the Sunday Kind of Love reading series at Busboys and Poets in Washington, DC, where she lives with her husband and son.
Fred Joiner is a poet living in Washington, DC's Historic Anacostia neighborhod. He works as a Systems Administrator for a small progressive consulting company. He collaborates frequently with jazz musicians and his poems have appeared in Callaloo, Beltway Poetry Quarterly, Warpland: A Journal of Black Literature and Ideas, and Fingernails Across the Chalkboard: Poetry and Prose on HIV/AIDS from the Black Diaspora
ROCKPILE, made possible by grants from the Creative Work Fund (www.creativeworkfund.org), the James Irvine Foundation and the William and Flora Hewlett Foundation and is sponsored by the Committee on Poetry, Inc.
Wednesday, November 4 ROCKPILE PERFORMANCE
Host: Busboys and Poets: “Hump Day Groovez” w/ Burnett Thompson and The New Columbia Orchestra
Time: 9pm-11pm
2021 14 St. NW
Washington, DC 20009
202-387-9757
http://www.busboysandpoets.com/
admission—10 dollars at the door
Tuesday, November 3, noon-1:30 pm
Poets in the (Think) Tank: ROCKPILE Symposium Co-sponsored by Split This Rock www.SplitThisRock.org and the Institute for Policy Studies www.ips-dc.org
Brown bag lunch
The Institute for Policy Studies
1112 16th Street, NW, Suite 600Washington, DC
Farragut North or Farragut West Metro
For more info: info@splitthisrock.org, 202-787-5210
In anticipation of what is sure to be a music and poetry extravaganza at Busboys and Poets November 4, ROCKPILE artists David Meltzer and Michael Rothenberg host an open discussion on Art and Activism, Poetry, Music and The Troubadour Tradition, Censorship and The Academy, Community and Collaboration. Panel participants include David Meltzer, Michael Rothenberg, and Fred Joiner (bio below). Moderator: Sarah Browning
Sunday, November 1, "All About Rockpile" with David Meltzer and Michael Rothenberg and celebrated pianist and composer Burnett Thompson with members of The New Columbia Orchestra at The Writer's Center. Special celebration of guest readers include Terri Carrion, Carlo Parcelli, Beth Joselow, Rod Smith, Sarah Browning, Tom Mandel, Ruben Jackson, Ed Baker, Tala Rahmeh, and Brian Gilmore
Writer's Center
Time: 2pm – 5:00
www.writer.org
4508 Walsh Street
Bethesda, MD 20815
(301)654-8664
Admission free
(festivities continue at Gaffney’s after the reading!)
-------------------------------------------------------------------
A leading poet of the Beat Movement, David MELTZER was raised in Brooklyn during the War years; performed on radio & early TV on the Horn & Hardart Children's Hour. Was exiled to L.A. at 16 & at 17 enrolled in an ongoing academy w/ artists Wallace Berman, George Herms, Robert Alexander, Cameron; migrated to San Francisco in 1957 for higher education w/ peers & maestros like Jack Spicer, Robert Duncan, Joanne Kyger, Diane DiPrima, Michael McClure, Lew Welch, Philip Whalen, Jack Hirschman, and a cast of thousands all living extraordinary ordinary lives. Beat Thing [La Alameda Press, 2004] won the Josephine Miles PEN Award, 2005. Was editor and interviewer for San Francisco Beat: Talking With The Poets [City Lights, 2001]. With Steve Dickison, co-edits Shuffle Boil, a magazine devoted to music in all its appearances & disappearances. 2005 saw the publication of David's Copy: The Selected Poems of David Meltzer by Viking/Penguin, a collection spanning over forty years of work that paints a vivid portrait of Meltzer's life as a poet through poems taken from thirty of his previous books of poetry. With a versatile style and playful tone, Meltzer offers his unique vision of civilization with a range of juxtapositions from Jewish mysticism and everyday life to jazz and pop culture.
Michael ROTHENBERG is a poet, songwriter, and the editor of Big Bridge magazine online at www.bigbridge.org. His poetry books include Man/Woman, a collaboration with Joanne Kyger, The Paris Journals (Fish Drum Press), Monk Daddy (Blue Press), and Unhurried Vision (La Alameda/University of New Mexico Press). His poems have been published widely in small press publications including, 88: A Journal of Contemporary American Poetry, Berkeley Poetry Review, Exquisite Corpse, First Intensity, Fish Drum, Fulcrum, Golden Handcuffs Review, House Organ, Prague Literary Review, Tricycle, Van Gogh's Ear, Vanitas, Zyzzyva, JACK, milk, and Jacket. He is also author of the novel Punk Rockwell. Rothenberg's 2005 CD collaboration with singer Elya Finn, was praised by poet David Meltzer as "fabulous-all [the] songs sound like Weimar Lenya & postwar Nico, lushly affirmative at the same time being edged w/ cosmic weltschmertz. An immensely tasty production." He is also editor for the Penguin Poet series, which includes selected works of Philip Whalen, Joanne Kyger, David Meltzer, and Ed Dorn. He has recently completed the Collected Poems of Philip Whalen for Wesleyan University Press.
Burnett Thompson and The New Columbia Orchestra. Pianist and composer Burnett Thompson has lately been working with Chinese erhu soloist Ma Xiaohui, Shanghai-based jazz vocalist Coco Zhao, Flamenco guitarist Abraham Carmona, Argentinian bandoneonista Juan Pablo Jofre Romarion, and the New Columbia Jazz Orchestra.
His Silent Shakespeare and the Sonnets is an ongoing partnership with the Goethe Institute, the Shakespeare Theatre, the National Gallery of Art and the National Arts Club in New York.
Past associations have included a unique collaboration with Maestro Lorin Maazel on recording projects and an adventurous educational program.
Burnett maintained a “piano room” on Pennsylvania Avenue in Washington throughout the 80’s and 90’s, hosting guest artists Chris Vadala, Keter Betts, Drew Gress, Louis Belson, and countless others. He has appeared with numerous orchestras including the Washington Chamber Symphony and the Smithsonian Jazz Masterworks Orchestra.
Burnett Thompson was educated at the Hochschule fuer Musik in Vienna, Austria, and the New England Conservatory of Music.
Sarah Browning is co-director of Split This Rock Poetry Festival: Poems of Provocation & Witness and DC Poets Against the War. Author of Whiskey in the Garden of Eden (The Word Works, 2007) and co-editor of D.C. Poets Against the War: An Anthology (Argonne House Press, 2004), she has received fellowships and prizes from the DC Commission on the Arts & Humanities, the Creative Communities Initiative, and the People Before Profits Poetry Prize. She co-hosts the Sunday Kind of Love reading series at Busboys and Poets in Washington, DC, where she lives with her husband and son.
Fred Joiner is a poet living in Washington, DC's Historic Anacostia neighborhod. He works as a Systems Administrator for a small progressive consulting company. He collaborates frequently with jazz musicians and his poems have appeared in Callaloo, Beltway Poetry Quarterly, Warpland: A Journal of Black Literature and Ideas, and Fingernails Across the Chalkboard: Poetry and Prose on HIV/AIDS from the Black Diaspora
ROCKPILE, made possible by grants from the Creative Work Fund (www.creativeworkfund.org), the James Irvine Foundation and the William and Flora Hewlett Foundation and is sponsored by the Committee on Poetry, Inc.
Friday, October 30, 2009
Thursday, October 29, 2009
Sleeping with Demons
Photo of A.D. Winans by Ulvis Alberts
The A.D. Winans Mystery Island Interview
A.D. Winans:
Sleeping with Demons, Mystery Island
Poem For A Poet Friend, Punk Rock Poetry
Tuesday, October 27, 2009
Monday, October 26, 2009
Sunday, October 25, 2009
Saturday, October 24, 2009
Friday, October 23, 2009
Thursday, October 22, 2009
Wednesday, October 21, 2009
Poems from GODZENIE
Marcus Slease,
Poems from GODZENIE (BlazeVox 2009):
Poems, past simple
24:00, Shadowtrain
Three Poems, Word For/Word #12
Poems from GODZENIE (BlazeVox 2009):
Poems, past simple
24:00, Shadowtrain
Three Poems, Word For/Word #12
Tuesday, October 20, 2009
Monday, October 19, 2009
Friday, October 16, 2009
Thursday, October 15, 2009
Wednesday, October 14, 2009
Tuesday, October 13, 2009
Sunday, October 11, 2009
Wednesday, September 30, 2009
Tuesday, September 29, 2009
Monday, September 28, 2009
Sunday, September 27, 2009
Saturday, September 26, 2009
Friday, September 25, 2009
Poetry and Cultural Studies
Poetry and Cultural Studies
A Reader
Edited by Maria Damon
and Ira Livingston,
University of Illinois Press
A Reader
Edited by Maria Damon
and Ira Livingston,
University of Illinois Press
Thursday, September 24, 2009
Wednesday, September 23, 2009
Tuesday, September 22, 2009
Monday, September 21, 2009
Sunday, September 20, 2009
Saturday, September 19, 2009
Friday, September 18, 2009
ROCKPILE TOUR CALENDAR CORRECTION
Dear Friends of ROCKPILE
Please note that the Albuquerque ROCKPILE performance
date has been changed from Saturday, October 17th to Thursday,
October 15, same time, and same place. Sorry for the inconvenience.
Look forward to seeing you there!
Best, Michael Rothenberg
www.bigbridge.org/rockpile/
Thursday, September 17, 2009
Wednesday, September 16, 2009
Tuesday, September 15, 2009
Monday, September 14, 2009
Saturday, September 12, 2009
Death's Jest-Book
John Kinsella:
from Death's Jest-Book
Intertext (1829 text):
a de-dramatisation
(out of Beddoes),
Blackbox Manifold #2
from Death's Jest-Book
Intertext (1829 text):
a de-dramatisation
(out of Beddoes),
Blackbox Manifold #2
Friday, September 11, 2009
Thursday, September 10, 2009
Wednesday, September 09, 2009
Dum Dum Gun
Tomaz Salamun:
Three Poems translated from the Slovenian
by Michael Thomas Taren and the author,
Ekleksographia #2
Three Poems translated from the Slovenian
by Michael Thomas Taren and the author,
Ekleksographia #2
Monday, September 07, 2009
Sunday, September 06, 2009
Saturday, September 05, 2009
MERCURY PROJECT
Grzegorz Wróblewski:
MERCURY PROJECT, a chapbook, poems
translated from Polish by Adam Zdrodowski,
Toad Press, 2008
Three Poems, CYC GADA
MERCURY PROJECT, a chapbook, poems
translated from Polish by Adam Zdrodowski,
Toad Press, 2008
Three Poems, CYC GADA
Friday, September 04, 2009
Thursday, September 03, 2009
ROCKPILE TOUR CALENDAR 2009
CHECK OUT THE ROCKPILE WEBSITE AT
www.bigbridge.org/rockpile/
TOUR CALENDAR 2009
LOS ANGELES
Rockpile Performance
Thursday, October 8th 7:00pm
The Hammer Museum
Billy Wilder Theater
10899 Wilshire Blvd
Los Angeles, CA 90024
Phone: 310.443.7000
http://hammer.ucla.edu/
ADMISSION: free
David Meltzer and Michael Rothenberg with Theo Saunders (piano), Johnny Lee Schell (guitar), John B. Williams (bass), Joe Sublette (saxophone), Debra Dobkin (drums and percussion).
ALBUQUERQUE
Rockpile Performance
Saturday, October 15th 7:30 pm
Outpost Performance Space
210 Yale SE • 2 blocks south of Central
Albuquerque, NM 87196 (505) 268-0044
http://www.outpostspace.org/
ADMISSION: $7, $5 dollars for members,
(Outpost accepts phone orders as well as in-person sales
at the Outpost Performance Space Box Office Hours:
2:00-5:30pm—Monday-Friday and 1 hr before
each show at the door
David Meltzer and Michael Rothenberg with Thunderbird Poetry Orkestra:
JB Bryan, alto saxophone, rumba box, rattles; Mark Weber, hubcapaphone
& glockenspiel; Leif Rustebakke, koto, hurdy gurdy, percussion; Jon
Baldwin, cornet; Mark LeClaire, cello; Daisy Kates, mellophone,
percussion; Lou Liberty, taiko, little instruments; Jim Burbank,
djembe, didgeridoo, wooden flutes; John Tritica, rain stick, cowhorn rattle,
percussion; Riha Rothberg, balafon & percussion; plus special guest
Terri Carrion, accordion.
NEW ORLEANS
Rockpile Performance
Sun, October 25th 8PM
Zeitgeist Multi-Disciplinary Arts Center
1618 Oretha Castle Haley Blvd.
New Orleans, Louisiana 70113
(504) 827-5858 or (504) 352-1150
http://www.zeitgeistinc.net/
ADMISSON: all events are by donation - $7 general / $6
students & seniors / $5 Zeitgeist members /Patrons
& Children 15 and under free (unless otherwise indicated)
David Meltzer, Michael Rothenberg and, Blodie with members of
The Dirty Dozen Brass Band including Gregory Davis (trumpet), Roger Lewis
(baritone sax), Terence Higgins (drums), Julius McKee (sousaphone),
and Jake Eckert (guitar).
WASHINGTON, DC
Sunday, November 1st, 2pm – 3:30
The Writer’s Center
4508 Walsh Street
Bethesda, MD 20815
(301)654-8664
http://www.writer.org/
ADMISSION: free
"All About Rockpile," with David Meltzer, Michael Rothenberg, and
Burnett Thompson & The New Columbia Orchestra.
WASHINGTON, DC
Rockpile Performance
Wednesday, November 4th, 9pm-11pm
Busboys and Poets: “Hump Day Groovez”
2021 14 St. NW
Washington, DC 20009
202-387-9757
http://www.busboysandpoets.com/
ADMISSION: 10 dollars at the door
David Meltzer and Michael Rothenberg with Burnett Thompson and
The New Columbia Orchestra
NEW YORK CITY
Saturday, November 7th 2-5pm
Poetry Project at St. Mark's Church
Parish Hall 131 E. 10th St.(& 2nd Ave.)
Manhattan,
NY ADMISSION: free
ROCKPILE Symposium: David Meltzer and Michael Rothenberg
host a discussion on "Art and Activism, Poetry, Music and The
Troubadour Tradition, Censorship and The Academy, Community
and Collaboration: Open discussion with Ammiel Alcalay, Teresa
Carrion, Jim Christy, Marty Ehrlich, Michael Franklin, Murat
Nemat-Nejat, Wanda Phipps, Robert Priest, Harris Schiff, Suzi
Winson and Bill Zavatsky. We welcome audience participation.
Moderator: Jim Feast. Refreshments
Monday, November 9th, 12:30-2pm
Segal Theater The Center for the Humanities
The Graduate Center, CUNY 365 Fifth Avenue,
Room 5103 New York, NY 10016 212-817-2005
ADMISSION: free
ROCKPILE- Poetry and Music and The Troubadour
Tradition A Discussion with David Meltzer and Michael
Rothenberg hosted by David Henderson and Ammiel Alcalay.
NEW YORK CITY
Rockpile Performance
Monday, November 9th 8pm
The Gershwin Hotel 7 East 27th
Street New York, NY 10016
(212)545-8000
http://www.gershwinhotel.com/english/site1.html
ADMISSION: $10 at the door
David Meltzer and Michael Rothenberg with Marty Ehrlich
(multi-reed player), Lindsey Horner (bass), Bill Zavatsky
(piano), Michael Stephans (drums)
ROCHESTER
November 11th, 4-5:15 pm
David Meltzer and Michael Rothenberg read
and discuss ROCKPILE
Rochester Institute of Technology
College of Liberal Arts Faculty Lounge Bldg.
6, Rm 1251 92 Lomb Memorial Dr Rochester,
NY (585) 475-4922
ADMISSION: free
November 11th,
7pm David Meltzer, Michael Rothenberg
and Terri Carrion Reading at: Writers and Books
740 University Ave Rochester,
NY (585) 473-2590
ADMISSION: free
November 12th, 10:30 am
Rochester Institute of Technology
lecture Michael Rothenberg and Terri Carrion
class on “Editing The Literary Magazine”
Rochester Institute of Technology 92
Lomb Memorial Dr. Rochester,
NY ADMISSION: free
BUFFALO, NY
November 12th, 7PM
David Meltzer and Michael Rothenberg
reading Just Buffalo @ WNYBAC Western
New York Book Arts Center 468
Washington St. @ Mohawk Place 2nd
Floor Buffalo, NY 14203
http://www.justbuffalo.org/
ADMISSION: free
CHICAGO
Rockpile Performance
Thursday, November 19, 8pm- 12pm
The Hideout 1354 W Wabansia Chicago,
Il 60622 773.227.4433 http://www.hideoutchicago.com/
ADMISSION: 10 dollars at the door
(all shows 21 & over unless stated otherwise advance tickets
online or by phone at 866.468.3401)
Poetry & Jazz Festival with ROCKPILE: David Meltzer and
Michael Rothenberg perform with The Spider Trio and The
Bob Malone Band and special guests Art Lange, Ed Roberson,
Francesco Levato, Larry Sawyer, Dan Godston Band
and Terri Carrion.
ST. LOUIS
Monday, November 23rd 6pm Untamed Ink,
Under and Above Ground:
A Publication Celebration
hosted by David Meltzer, Michael Rothenberg
and Terri Carrion Lindenwood University, LCIE auditorium.
ADMISSION: free
ST. LOUIS
Rockpile Performance
November 24th 7:30-11pm
Regional Arts Commission
Performance Space 6128 Delmar Blvd. St. Louis,
MO 63112-1204 (314) 863-5811
http://www.art-stl.com/
ADMISSION: free
David Meltzer and Michael Rothenberg with Zimbabwe
Nkenya (Bass), Dave Black ( guitar), Bob Malone (piano),
Michael Franklin, Shirley LeFlore, Michael Castro, K. Curtis
Lyle and David Jackson (assorted percussion and electronics),
Alexander Balogh, Sean Arnold, Terri Carrion, Howard Schwartz,
and Philip Gounis.
www.bigbridge.org/rockpile/
TOUR CALENDAR 2009
LOS ANGELES
Rockpile Performance
Thursday, October 8th 7:00pm
The Hammer Museum
Billy Wilder Theater
10899 Wilshire Blvd
Los Angeles, CA 90024
Phone: 310.443.7000
http://hammer.ucla.edu/
ADMISSION: free
David Meltzer and Michael Rothenberg with Theo Saunders (piano), Johnny Lee Schell (guitar), John B. Williams (bass), Joe Sublette (saxophone), Debra Dobkin (drums and percussion).
ALBUQUERQUE
Rockpile Performance
Saturday, October 15th 7:30 pm
Outpost Performance Space
210 Yale SE • 2 blocks south of Central
Albuquerque, NM 87196 (505) 268-0044
http://www.outpostspace.org/
ADMISSION: $7, $5 dollars for members,
(Outpost accepts phone orders as well as in-person sales
at the Outpost Performance Space Box Office Hours:
2:00-5:30pm—Monday-Friday and 1 hr before
each show at the door
David Meltzer and Michael Rothenberg with Thunderbird Poetry Orkestra:
JB Bryan, alto saxophone, rumba box, rattles; Mark Weber, hubcapaphone
& glockenspiel; Leif Rustebakke, koto, hurdy gurdy, percussion; Jon
Baldwin, cornet; Mark LeClaire, cello; Daisy Kates, mellophone,
percussion; Lou Liberty, taiko, little instruments; Jim Burbank,
djembe, didgeridoo, wooden flutes; John Tritica, rain stick, cowhorn rattle,
percussion; Riha Rothberg, balafon & percussion; plus special guest
Terri Carrion, accordion.
NEW ORLEANS
Rockpile Performance
Sun, October 25th 8PM
Zeitgeist Multi-Disciplinary Arts Center
1618 Oretha Castle Haley Blvd.
New Orleans, Louisiana 70113
(504) 827-5858 or (504) 352-1150
http://www.zeitgeistinc.net/
ADMISSON: all events are by donation - $7 general / $6
students & seniors / $5 Zeitgeist members /Patrons
& Children 15 and under free (unless otherwise indicated)
David Meltzer, Michael Rothenberg and, Blodie with members of
The Dirty Dozen Brass Band including Gregory Davis (trumpet), Roger Lewis
(baritone sax), Terence Higgins (drums), Julius McKee (sousaphone),
and Jake Eckert (guitar).
WASHINGTON, DC
Sunday, November 1st, 2pm – 3:30
The Writer’s Center
4508 Walsh Street
Bethesda, MD 20815
(301)654-8664
http://www.writer.org/
ADMISSION: free
"All About Rockpile," with David Meltzer, Michael Rothenberg, and
Burnett Thompson & The New Columbia Orchestra.
WASHINGTON, DC
Rockpile Performance
Wednesday, November 4th, 9pm-11pm
Busboys and Poets: “Hump Day Groovez”
2021 14 St. NW
Washington, DC 20009
202-387-9757
http://www.busboysandpoets.com/
ADMISSION: 10 dollars at the door
David Meltzer and Michael Rothenberg with Burnett Thompson and
The New Columbia Orchestra
NEW YORK CITY
Saturday, November 7th 2-5pm
Poetry Project at St. Mark's Church
Parish Hall 131 E. 10th St.(& 2nd Ave.)
Manhattan,
NY ADMISSION: free
ROCKPILE Symposium: David Meltzer and Michael Rothenberg
host a discussion on "Art and Activism, Poetry, Music and The
Troubadour Tradition, Censorship and The Academy, Community
and Collaboration: Open discussion with Ammiel Alcalay, Teresa
Carrion, Jim Christy, Marty Ehrlich, Michael Franklin, Murat
Nemat-Nejat, Wanda Phipps, Robert Priest, Harris Schiff, Suzi
Winson and Bill Zavatsky. We welcome audience participation.
Moderator: Jim Feast. Refreshments
Monday, November 9th, 12:30-2pm
Segal Theater The Center for the Humanities
The Graduate Center, CUNY 365 Fifth Avenue,
Room 5103 New York, NY 10016 212-817-2005
ADMISSION: free
ROCKPILE- Poetry and Music and The Troubadour
Tradition A Discussion with David Meltzer and Michael
Rothenberg hosted by David Henderson and Ammiel Alcalay.
NEW YORK CITY
Rockpile Performance
Monday, November 9th 8pm
The Gershwin Hotel 7 East 27th
Street New York, NY 10016
(212)545-8000
http://www.gershwinhotel.com/english/site1.html
ADMISSION: $10 at the door
David Meltzer and Michael Rothenberg with Marty Ehrlich
(multi-reed player), Lindsey Horner (bass), Bill Zavatsky
(piano), Michael Stephans (drums)
ROCHESTER
November 11th, 4-5:15 pm
David Meltzer and Michael Rothenberg read
and discuss ROCKPILE
Rochester Institute of Technology
College of Liberal Arts Faculty Lounge Bldg.
6, Rm 1251 92 Lomb Memorial Dr Rochester,
NY (585) 475-4922
ADMISSION: free
November 11th,
7pm David Meltzer, Michael Rothenberg
and Terri Carrion Reading at: Writers and Books
740 University Ave Rochester,
NY (585) 473-2590
ADMISSION: free
November 12th, 10:30 am
Rochester Institute of Technology
lecture Michael Rothenberg and Terri Carrion
class on “Editing The Literary Magazine”
Rochester Institute of Technology 92
Lomb Memorial Dr. Rochester,
NY ADMISSION: free
BUFFALO, NY
November 12th, 7PM
David Meltzer and Michael Rothenberg
reading Just Buffalo @ WNYBAC Western
New York Book Arts Center 468
Washington St. @ Mohawk Place 2nd
Floor Buffalo, NY 14203
http://www.justbuffalo.org/
ADMISSION: free
CHICAGO
Rockpile Performance
Thursday, November 19, 8pm- 12pm
The Hideout 1354 W Wabansia Chicago,
Il 60622 773.227.4433 http://www.hideoutchicago.com/
ADMISSION: 10 dollars at the door
(all shows 21 & over unless stated otherwise advance tickets
online or by phone at 866.468.3401)
Poetry & Jazz Festival with ROCKPILE: David Meltzer and
Michael Rothenberg perform with The Spider Trio and The
Bob Malone Band and special guests Art Lange, Ed Roberson,
Francesco Levato, Larry Sawyer, Dan Godston Band
and Terri Carrion.
ST. LOUIS
Monday, November 23rd 6pm Untamed Ink,
Under and Above Ground:
A Publication Celebration
hosted by David Meltzer, Michael Rothenberg
and Terri Carrion Lindenwood University, LCIE auditorium.
ADMISSION: free
ST. LOUIS
Rockpile Performance
November 24th 7:30-11pm
Regional Arts Commission
Performance Space 6128 Delmar Blvd. St. Louis,
MO 63112-1204 (314) 863-5811
http://www.art-stl.com/
ADMISSION: free
David Meltzer and Michael Rothenberg with Zimbabwe
Nkenya (Bass), Dave Black ( guitar), Bob Malone (piano),
Michael Franklin, Shirley LeFlore, Michael Castro, K. Curtis
Lyle and David Jackson (assorted percussion and electronics),
Alexander Balogh, Sean Arnold, Terri Carrion, Howard Schwartz,
and Philip Gounis.
Wednesday, September 02, 2009
Monday, August 31, 2009
"A.M."
Kurt Schwitters
"A.M."
Er fiel in einen Narrenstall.
Da rauscht ein zäher Wasserfall.
Da sank ein zäher Gummiball.
Er aß von seinem Widerhall.
Da gab er seinen zähen Knall.
Wer gab da seinen zähen Knall?
Der zähe Gummiwasserfall?
So endete der zähe Prall
Im allgemeinen Knall und Fall:
Von Arp und Merz in diesem Fall.
So springt ein zäher Wasserball.
"A.M."
Er fiel in einen Narrenstall.
Da rauscht ein zäher Wasserfall.
Da sank ein zäher Gummiball.
Er aß von seinem Widerhall.
Da gab er seinen zähen Knall.
Wer gab da seinen zähen Knall?
Der zähe Gummiwasserfall?
So endete der zähe Prall
Im allgemeinen Knall und Fall:
Von Arp und Merz in diesem Fall.
So springt ein zäher Wasserball.
Sunday, August 30, 2009
Saturday, August 29, 2009
Wednesday, August 26, 2009
Tuesday, August 25, 2009
Monday, August 24, 2009
TRIBUTE SHOW to DAVID BROMIGE
TRIBUTE SHOW to DAVID BROMIGE
August 26, 2009 7:00 p.m.
Katherine Hastings presents a one-hour tribute to the late poet David Bromige. The author of dozens of books and the recipient of many literary honors, David Bromige was also a former Poet Laureate of Sonoma County, a professor at Sonoma State University, and a mentor to many. His experimental style and sharp wit translated to a large collection of work so varied that the poems could easily be mistaken as the work of many. Born in London in 1933, Bromige died in Sebastopol in June of this year. Participating in tonight's program will be his wife, Cecelia Belle, their daughter, Margaret, and others. Recordings of Bromige reading his work will also be featured.
To listen to the program:
1) Tune in to KRCB 91.1 FM
2) Stream live at www.krcb/org
3) iTunes: Go to Radio/Public/KRCB
4) Comcast Cable TV, Santa Rosa, Channel 961
August 26, 2009 7:00 p.m.
Katherine Hastings presents a one-hour tribute to the late poet David Bromige. The author of dozens of books and the recipient of many literary honors, David Bromige was also a former Poet Laureate of Sonoma County, a professor at Sonoma State University, and a mentor to many. His experimental style and sharp wit translated to a large collection of work so varied that the poems could easily be mistaken as the work of many. Born in London in 1933, Bromige died in Sebastopol in June of this year. Participating in tonight's program will be his wife, Cecelia Belle, their daughter, Margaret, and others. Recordings of Bromige reading his work will also be featured.
To listen to the program:
1) Tune in to KRCB 91.1 FM
2) Stream live at www.krcb/org
3) iTunes: Go to Radio/Public/KRCB
4) Comcast Cable TV, Santa Rosa, Channel 961
Saturday, August 22, 2009
walking on the sussex coast
Robert Bly:
walking on the sussex coast,
watching a turtle climbing from a rock,
the first fall rain washes away a few angers,
second aeon 15/1973
walking on the sussex coast,
watching a turtle climbing from a rock,
the first fall rain washes away a few angers,
second aeon 15/1973
Friday, August 21, 2009
Thursday, August 20, 2009
From "Cabaret Voltaire"
Hugo Ball:
From Cabaret Voltaire - Issue I
When I founded the Cavaret Voltaire, I was sure that there must be a few young people in Switzerland who like me were interested not only in enjoying their independence but also in giving proof of it. I went to Herr Ephraim, the owner of the Meierei, and said, "Herr Ephraim, please let me have your room. I want to start a night-club." Herr Ephraim agreed and gave me the room. And I went to some people I knew and said, "Please give me a picture, or a drawing, or an engraving. I should like to put on an exhibition in my night-club." I went to the friendly Zürich press and said, "Put in some announcements. There is going to be an international cabaret. We shall do great things." And they gave me pictures and they put in my annoucements. So on 5th February we had a cabaret. Mademoiselle Hennings and Mademoiselle Leconte sang French and Danish chansons. Herr Tristan Tzara recited Rumanian poetry. A balalaika orchestra played delightful folk-songs and dances.
I received much support and encouragement from Herr M. Slodki, who designed the poster, and from Herr Hans Arp, who supplied some Picassos, as well as works of his own, and obtained for me pictures by his friends O. van Rees and Artur Segall. Much support also from Messrs. Tristan Tzara, Marcel Janco and Max Oppenheimer, who readily agreed to take part in the cabaret. We organized a Russian evening and, a little later, a French one (works by Apollinaire, Max Jacob, André Salmon, A. Jarry, Laforgue and Rimbaud). On 26th February Richard Huelsenbeck arrived from Berlin and on 30th March we performed some stupendous Negro music (toujours avec la grosse caisse: boum boum boum boum - drabatja mo gere drabatja mo bonooooooooo -). Monsieur Laban was present at the performance and was very enthusiastic. Herr Tristan Tzara was the initiator of a performance by Messrs. Tzara, Huelsenbeck and Janco (the first in Zürich and in the world) of simultaneist verse by Messrs. Henri Barzun and Fernand Divoire, as well as a poème simultané of his own composition, which is reproduced on pages six and seven. The persent booklet is published by us with the support of our friends in France, Italy and Russia. It is intended to present to the Public the activities and interests of the Cabaret Voltaire, which has as its sole purpose to draw attention, across the barriers of war and nationalism, to the few independent spirits who live for other ideals. The next objective of the artists who are assembled here is the publication of a revue internationale. La revue paraîtra à Zurich et portera le nom "Dada" ("Dada"). Dada Dada Dada Dada.
Zürich, 15th May 1916
From Cabaret Voltaire - Issue I
When I founded the Cavaret Voltaire, I was sure that there must be a few young people in Switzerland who like me were interested not only in enjoying their independence but also in giving proof of it. I went to Herr Ephraim, the owner of the Meierei, and said, "Herr Ephraim, please let me have your room. I want to start a night-club." Herr Ephraim agreed and gave me the room. And I went to some people I knew and said, "Please give me a picture, or a drawing, or an engraving. I should like to put on an exhibition in my night-club." I went to the friendly Zürich press and said, "Put in some announcements. There is going to be an international cabaret. We shall do great things." And they gave me pictures and they put in my annoucements. So on 5th February we had a cabaret. Mademoiselle Hennings and Mademoiselle Leconte sang French and Danish chansons. Herr Tristan Tzara recited Rumanian poetry. A balalaika orchestra played delightful folk-songs and dances.
I received much support and encouragement from Herr M. Slodki, who designed the poster, and from Herr Hans Arp, who supplied some Picassos, as well as works of his own, and obtained for me pictures by his friends O. van Rees and Artur Segall. Much support also from Messrs. Tristan Tzara, Marcel Janco and Max Oppenheimer, who readily agreed to take part in the cabaret. We organized a Russian evening and, a little later, a French one (works by Apollinaire, Max Jacob, André Salmon, A. Jarry, Laforgue and Rimbaud). On 26th February Richard Huelsenbeck arrived from Berlin and on 30th March we performed some stupendous Negro music (toujours avec la grosse caisse: boum boum boum boum - drabatja mo gere drabatja mo bonooooooooo -). Monsieur Laban was present at the performance and was very enthusiastic. Herr Tristan Tzara was the initiator of a performance by Messrs. Tzara, Huelsenbeck and Janco (the first in Zürich and in the world) of simultaneist verse by Messrs. Henri Barzun and Fernand Divoire, as well as a poème simultané of his own composition, which is reproduced on pages six and seven. The persent booklet is published by us with the support of our friends in France, Italy and Russia. It is intended to present to the Public the activities and interests of the Cabaret Voltaire, which has as its sole purpose to draw attention, across the barriers of war and nationalism, to the few independent spirits who live for other ideals. The next objective of the artists who are assembled here is the publication of a revue internationale. La revue paraîtra à Zurich et portera le nom "Dada" ("Dada"). Dada Dada Dada Dada.
Zürich, 15th May 1916
Wednesday, August 19, 2009
Tuesday, August 18, 2009
Monday, August 17, 2009
Thursday, August 13, 2009
Thursday, August 06, 2009
Wednesday, August 05, 2009
Part 1 of this year’s Big Bridge is now online!
Part 1 of this year’s Big Bridge is now online!
As usual, it includes balanced presentations of arts and genres, aesthetic approaches and socio-political statements, compact anthologies and stand-alone works.
The issue opens with a collection of essays and examples of Slow Poetry, one of the leading contenders for the first major shift in 21st century art. Not a movement, but rather a means of approaching, rethinking, and appreciating virtually all modes and genres. A measure of the importance of this feature is that its URL got passed around before the issue officially went online. It thus officially appears after being mentioned in blogs, and even satirized by another group. In one way or another, we hope our features tend to be similarly ahead of the curve - at times going so far as to generate response before official publication.
We do, however, try to present work that keeps response from distorting our environment, as we try to reclaim poetry from preconception. This issue’s anthology of poetry and fiction from South Africa, for instance, makes no attempt to fill in news stories or confirm simplifications of huge problems and unusual successes, but present a glimpse of the diversity of a complex nation’s poetry and the individuality of its writers.
Standard features such as the continuing group statements in War Papers and another in the series of paintings by Jim Spitzer, judicious essays and terse reviews, short fiction and a suggestive sample of current little magazines published on paper in the digital age continue the scope of the magazine. A simplified table of contents appears below.
This issue differs from its predecessors in several ways. It intersects with the ROCKPILE program of transcontinental readings lead by David Meltzer and Michael Rothenberg and including local participants.
It also appears several months before the omnibus New Orleans anthology, which, in itself, is larger than everything else in the issue. Later this year, we will also add a compact, bi-lingual Anthology of Venezuelan Women poets, another tri-lingual Anthology of Galician writers and a few small contributions. We feel that dividing the issue up this way keeps the New Orleans feature from throwing the issue off balance and giving our readers some breathing room. Opening ROCKPILE at this time also gives us a chance to test the interaction of an annual magazine with an on-going project.
Although we are adamant partisans in some areas, such as opposition to senseless wars in places the U.S. does not understand and where it does not belong, and in celebration of the history and resurrection of one of America’s greatest cities, we hope to maintain enough diversity to present some work that will appeal to nearly anyone who looks for progressive poetry on the web, and perhaps promote interchange between people with different ideas and orientations.
At a time when economic crisis brings out the perennial name for boondoggles, we’d like to move as far away from being a bridge to nowhere as we can but rather see how close we can come to being a big bridge that can act as a focal point for the cyberbridges that lead everywhere.
http://www.bigbridge.org
As usual, it includes balanced presentations of arts and genres, aesthetic approaches and socio-political statements, compact anthologies and stand-alone works.
The issue opens with a collection of essays and examples of Slow Poetry, one of the leading contenders for the first major shift in 21st century art. Not a movement, but rather a means of approaching, rethinking, and appreciating virtually all modes and genres. A measure of the importance of this feature is that its URL got passed around before the issue officially went online. It thus officially appears after being mentioned in blogs, and even satirized by another group. In one way or another, we hope our features tend to be similarly ahead of the curve - at times going so far as to generate response before official publication.
We do, however, try to present work that keeps response from distorting our environment, as we try to reclaim poetry from preconception. This issue’s anthology of poetry and fiction from South Africa, for instance, makes no attempt to fill in news stories or confirm simplifications of huge problems and unusual successes, but present a glimpse of the diversity of a complex nation’s poetry and the individuality of its writers.
Standard features such as the continuing group statements in War Papers and another in the series of paintings by Jim Spitzer, judicious essays and terse reviews, short fiction and a suggestive sample of current little magazines published on paper in the digital age continue the scope of the magazine. A simplified table of contents appears below.
This issue differs from its predecessors in several ways. It intersects with the ROCKPILE program of transcontinental readings lead by David Meltzer and Michael Rothenberg and including local participants.
It also appears several months before the omnibus New Orleans anthology, which, in itself, is larger than everything else in the issue. Later this year, we will also add a compact, bi-lingual Anthology of Venezuelan Women poets, another tri-lingual Anthology of Galician writers and a few small contributions. We feel that dividing the issue up this way keeps the New Orleans feature from throwing the issue off balance and giving our readers some breathing room. Opening ROCKPILE at this time also gives us a chance to test the interaction of an annual magazine with an on-going project.
Although we are adamant partisans in some areas, such as opposition to senseless wars in places the U.S. does not understand and where it does not belong, and in celebration of the history and resurrection of one of America’s greatest cities, we hope to maintain enough diversity to present some work that will appeal to nearly anyone who looks for progressive poetry on the web, and perhaps promote interchange between people with different ideas and orientations.
At a time when economic crisis brings out the perennial name for boondoggles, we’d like to move as far away from being a bridge to nowhere as we can but rather see how close we can come to being a big bridge that can act as a focal point for the cyberbridges that lead everywhere.
http://www.bigbridge.org
Saturday, August 01, 2009
Tuesday, July 28, 2009
Monday, July 27, 2009
Sunday, July 26, 2009
Poetics and Proto-Poetics
Robert Sheppard:
Poetics and Proto Poetics from Aristophanes
to Yeats, Pages
Poetics through and after Modernism:
Some Texts, Pages
Poetics and Proto Poetics from Aristophanes
to Yeats, Pages
Poetics through and after Modernism:
Some Texts, Pages
Saturday, July 25, 2009
DISTRESS SALE INVENTORY
Friday, July 24, 2009
"Was Kunst ist, wissen Sie..."
Kurt Schwitters:
Was Kunst ist, wissen Sie ebensogut wie ich, es ist nichts weiter als Rhythmus. Wenn das aber wahr ist, so beschwer ich mich nicht mit Imitation oder mit Seele, sondern gebe schlicht und einfach Rhythmus mit jedem beliebigen Material, Straßenbahnfahrscheinen, Ölfarbe, Holzklötze, ja da staunen Sie Bauklötze, oder mit dem Wort in der Dichtung, dem Ton in der Musik, oder wie Sie wollen. Darum sehen Sie sich nicht das Material an, denn das ist unwesentlich. Suchen Sie nicht versteckt irgendeine Imitation von Natur, fragen Sie nicht nach Seelenstimmungen, sondern suchen Sie trotz des ungewöhnlichen Materials, den Rhythmus in Form und Farbe zu erkennen. Mit Bolschewismus hat das ebensowenig zu tun wie der moderne Bubikopf. Dafür ist es die Essenz aller Kunst, das heißt, jedes Kunstwerk aller Zeiten mußte diese primäre Forderung erfüllen, Rhythmus zu sein, sonst war es nicht Kunst.
Was Kunst ist, wissen Sie ebensogut wie ich, es ist nichts weiter als Rhythmus. Wenn das aber wahr ist, so beschwer ich mich nicht mit Imitation oder mit Seele, sondern gebe schlicht und einfach Rhythmus mit jedem beliebigen Material, Straßenbahnfahrscheinen, Ölfarbe, Holzklötze, ja da staunen Sie Bauklötze, oder mit dem Wort in der Dichtung, dem Ton in der Musik, oder wie Sie wollen. Darum sehen Sie sich nicht das Material an, denn das ist unwesentlich. Suchen Sie nicht versteckt irgendeine Imitation von Natur, fragen Sie nicht nach Seelenstimmungen, sondern suchen Sie trotz des ungewöhnlichen Materials, den Rhythmus in Form und Farbe zu erkennen. Mit Bolschewismus hat das ebensowenig zu tun wie der moderne Bubikopf. Dafür ist es die Essenz aller Kunst, das heißt, jedes Kunstwerk aller Zeiten mußte diese primäre Forderung erfüllen, Rhythmus zu sein, sonst war es nicht Kunst.
The Dark Side of Success
Dan Flavin:
The Dark Side of Success,
by Greg Allen, The New York Times
Constructed Light,
The Pulitzer Foundation for Arts
The Dark Side of Success,
by Greg Allen, The New York Times
Constructed Light,
The Pulitzer Foundation for Arts
Thursday, July 23, 2009
Tuesday, July 21, 2009
Sunday, July 19, 2009
Saturday, July 18, 2009
Friday, July 17, 2009
Thursday, July 16, 2009
Wednesday, July 15, 2009
Tuesday, July 14, 2009
Monday, July 13, 2009
Sunday, July 12, 2009
Saturday, July 11, 2009
ROCKPILE
A Collaborative Journey of Poetry & Music…
ROCKPILE is a collaboration between David Meltzer — poet, musician, essayist, and more — and Michael Rothenberg of Big Bridge Press. David and Michael will journey through eight cities in the U.S. to perform poetry and prose, composed while on the road, with local musicians and artists in each city. ROCKPILE will serve to educate and preserve as well as to create a history of collaboration. It will help to reinforce the tradition of the troubadour of all generations, central to the cultural upheaval and identity politics that reawakened poets, artists, musicians, and songwriters in the mid-1960s through the 1970s. The project will end with a final multimedia performance in San Francisco.
Made possible by a grant from the Creative Work Fund
Visit our ROCKPILE BLOG to see what we are up to once we hit the road!
See details of PERFORMANCES AND VENUES.
And check our CALENDAR, on the right sidebar, for day to day details starting on October 5th. Just click on the red highlighted date!
ROCKPILE is a collaboration between David Meltzer — poet, musician, essayist, and more — and Michael Rothenberg of Big Bridge Press. David and Michael will journey through eight cities in the U.S. to perform poetry and prose, composed while on the road, with local musicians and artists in each city. ROCKPILE will serve to educate and preserve as well as to create a history of collaboration. It will help to reinforce the tradition of the troubadour of all generations, central to the cultural upheaval and identity politics that reawakened poets, artists, musicians, and songwriters in the mid-1960s through the 1970s. The project will end with a final multimedia performance in San Francisco.
Made possible by a grant from the Creative Work Fund
Visit our ROCKPILE BLOG to see what we are up to once we hit the road!
See details of PERFORMANCES AND VENUES.
And check our CALENDAR, on the right sidebar, for day to day details starting on October 5th. Just click on the red highlighted date!
Tuesday, June 30, 2009
Monday, June 29, 2009
Text Loses Time
Longhand into Tiny Notebooks I Carry for Months:
Fragments towards a Review of Nico Vassilakis’
Text Loses Time by Geof Huth, dbqp: vizualizing poetics
Sunday, June 28, 2009
Saturday, June 27, 2009
Friday, June 26, 2009
Thursday, June 25, 2009
Underground Voices
John Grochalski:
Two Poems, Underground Voices, May 2009
Two Poems, Underground Voices, January 2009
Three Poems, Underground Voices, October 2008
Two Poems, Underground Voices, July 2008
Two Poems, Underground Voices, May 2009
Two Poems, Underground Voices, January 2009
Three Poems, Underground Voices, October 2008
Two Poems, Underground Voices, July 2008
Wednesday, June 24, 2009
Tuesday, June 23, 2009
Monday, June 22, 2009
Sunday, June 21, 2009
Saturday, June 20, 2009
Friday, June 19, 2009
Thursday, June 18, 2009
Wednesday, June 17, 2009
The Flag
Piotr Gwiazda:
The Flag, Beltway Poetry Quarterly
Ivan Weiss reviews "Gagarin Street"
by Piotr Gwiazda, Jacket #31
The Flag, Beltway Poetry Quarterly
Ivan Weiss reviews "Gagarin Street"
by Piotr Gwiazda, Jacket #31
Tuesday, June 16, 2009
like wind loves a window
"'the meaning of the protest is unknown but I long to join in'"
A review of Andrea Baker's like wind loves a window (Slope Editions, 2005)
by Jake Kennedy, Moria
Andrea Baker/Kate Greenstreet:
How has your first book changed your life?
Andrea Baker:
At the Seaport Restaurant, Drunken Boat #6
A review of Andrea Baker's like wind loves a window (Slope Editions, 2005)
by Jake Kennedy, Moria
Andrea Baker/Kate Greenstreet:
How has your first book changed your life?
Andrea Baker:
At the Seaport Restaurant, Drunken Boat #6
Monday, June 15, 2009
Sunday, June 14, 2009
Henry Gould (2)
Henry Gould:
Poem from "July", Jacket Magazine #9
#3: The Old Swingset, Famous Reporter #33
IN RI: Part Two (excerpts), Negations
Poem from "July", Jacket Magazine #9
#3: The Old Swingset, Famous Reporter #33
IN RI: Part Two (excerpts), Negations
Saturday, June 13, 2009
Notes From The Lake
Brandon Shimoda:
Two Poems, The Adirondack Review
Three Poems, coconut #3
Frank Lloyd Wrigth, TYPO #8
What It Would Have Been Like, Wyoming,
No Tell Motel
Two Poems, The Adirondack Review
Three Poems, coconut #3
Frank Lloyd Wrigth, TYPO #8
What It Would Have Been Like, Wyoming,
No Tell Motel
Friday, June 12, 2009
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